↓ Jump To Navigation

Tony Tschetter-Breed writes

The Hi-Fi Test: Vinyl vs. CD

This week Chicago Public Radio’s Sound Opinions talked about the differences in sound quality between vinyl and CD. It’s something I’ve heard before: hardcore audio enthusiasts say that vinyl’s analog sound is warmer and richer than a CD’s digital recording. But can you really tell the difference?

First, a brief explanation of the difference. Analog means that the actual sound wave is reproduced exactly in the recording medium – the grooves on the record are reproductions of the original sound wave. Digital means that the wave is translated into numbers, which are then used to recreate the wave. The advantage of digital is that it doesn’t break down; it takes quite a few smudges on a CD to affect the sound, whereas every piece of dust on your record will affect that sound wave. The disadvantage is that whereas analog is an exact reproduction of the sound wave, digital recreates the sound wave, and so looses some detail. The detail lost is supposed to be so fine as to be imperceptible.

If the difference is perceptible, you certainly won’t hear it on tiny earbud headphones, or on tinny computer speakers. You won’t hear it on your car speakers, either, over the hum of the engine. If you want to take the test, you will have to try it in a quiet room, with a good hi-fi stereo.

I’m no hi-fi fetishist, but I have a pretty good stereo, with good speakers, and a separate woofer. It seemed like a pretty good setup to try this out myself. I chose two tracks that I own on both CD and vinyl: “Oh What a World”, from Rufus Wainwright’s 2003 album Want One, and “Hello Earth”, from Kate Bush’s 1985 album The Hounds of Love. Both tracks are rich and complex, so I thought I’d be more likely to hear a difference.

The verdict? I believe I did hear a difference. The vinyl was, as they say it is, warmer. The CDs were crisper, and just slightly diminished. It’s certainly possible that I heard it because I wanted to, of course; my experiment was by no means scientific. And it bears mentioning that both versions sounded great (a serious improvement over my tiny earbuds while I’m on the el). Oh, and there was one other difference, at least in the Rufus Wainwright song: on the LP, it had a skip.

Want to try this experiment in your own home? You might need some records… so come on down to the CHIRP Record Fair and Other Delights this weekend, April 12-13, 2008, at Pulaski Park Field house.

Posted on April 6, 2008 Permalink No Comments

Save to Delicious Share on Facebook Digg This! Tweet This!

Categories

Leave a Comment

Commenting is closed for this article.

What They're Saying

There are currently no comments. Why don't you leave the first one?

<
February 2012
 
SMTWTFS
   1234
567891011
12131415161718
19202122232425
26272829   

View the full archives »

Article Categories

Adam Yauch, Alice Cooper, Andy Partridge, Appearances, Architecture In Helsinki, Aretha Franklin, Art Brut, Artist Spotlight, Battles, Beauty Bar, Beck, Belle & Sebastian, Best Of 2009, Best Of 2010, Best Of 2011, Big Freedia, Bill Stevenson, Biz Markie, Blake Schwarzenbach, Bobby Conn, Bon Iver, Bottom Lounge, Braid, Brownsville Station, Buck Owens, Cadillac Palace, Cat Power, Chan Marshall, Charlie Christian, Chicago, Chicago Bands, Chicago Filmmakers, Chirp Night At The Whistler, Chirpradio, Chk Chk Chk, Chris Difford, Coach House Sounds, Colin Blunstone, Colin Newman, Comedy, Community, Concerts, Contests, Crocodiles, Curtis Mayfield, Cymbals Eat Guitars, D. Boon, Dan Smith, Dave Davies, David Bazan, David Vandervelde, David Wicik, Death Cab For Cutie, Death Set, Debbie Harry, Deerhoof, Democracy Burlesque, Double Door, Doves, Dum Dum Girls, Ed Schrader's Music Beat, Eleanor Friedberger, Empty Bottle, Evan Dando, Evanston Space, Friendly Fires, Fundraiser, Future Islands, Gang Gang Dance, Geoff Barrow, George Clinton, George Harrison, Giveaways, Gold Panda, Graham Parker, Gram Parsons, Grrrl On Grrrl, Guy Picciotto, H.r., Harvey Pekar, Hideout, High Places, Hollows, Ian Curtis, Industry, Interview, Ipod, Ipod Shuffle, J. Mascis, James Williamson, Janet Weiss, Japandroids, Javelin, Jello Biafra, Joan Of Arc, Jodie Foster, Joe Lally, John Deacon, John Waters, John Zorn, Judson Claiborne, Kathy Valentine, Kelley Deal, Kim Deal, Kmfdm, Kurt Vile, Ladyfest Midwest, Laura Szumowski, Lincoln Hall, Lists, Ll Cool J, Local Community Radio Act, Local Music, Lonely Forest, Lpfm, Lux Interior, Marc Bolan, Matt Kimmel, Maureen Tucker, Memory Tapes, Metro, Michael Lux & The Bad Sons, Midwestern Housewife, Mike Chapman, Mike Mills, Miki Berenyi, Movies, Mp3, Mp3 Shuffle, Music Box, Naked And Famous, Neil Finn, Neil Young, Neon Marshmellow Fest, News, Nina Hagen, Nostalgia, Off!, Off Book, On The Web, Otis Redding, Ozzy Osbourne, Paul Stanley, Paul Westerberg, Personal And The Pizzas, Phantogram, Phil Lynott, Podcast, Pop Culture, Portage Theater, Profiles, Pymalion Music Festival, Ray Charles, Reading List, Record Fair, Rediscovering Our Record Collection, Reggie Watts, Residencies, Reviews, Rhett Miller, Riv, Robert Wyatt, Ryan Adams, Schubas, Scotland Yard Gospel Choir, Seen And Heard, Serge Gainsbourg, Seth Feinn, Shuffle, Sleepy Sun, Sonny & The Sunsets, Spank Rock, Split Reel, St. Vincent, Stephen Morris, Steve Jones, Stevie Wonder, Subterranean, Suggs, Syd Barrett, T-Shirt, Theater, The Hold Steady, The Hood Internet, The Mayne Stage, The Mid, The Sandwitches, The War On Drugs, This Week, Thomas Dolby, Tim Kinsella, Tommy James, Trans Am, Tricky, Uic Pavilion, Vee Dee, Vic, Video, Vincent Price, Volunteering, Washed Out, Webcomics, Weekly Voyages, What Community Radio Means To Me, Whistler, Wilco, Will Oldham, Wire, Yuck, Zola Jesus, Zoo-Mouse-Key Press

The work of the Chicago Independent Radio Project is supported in part by a generous grant from the Crossroads Fund. More information at crossroadsfund.org.